Best Canon EF-S lenses: 03 Canon 18-135mm f/3.5-5.6 IS STM, £295. Simply put, the Canon EF-S 10-18mm f/4.5-5.6 IS STM has no competition. For the best all-purpose zoom that will serve you in the greatest number of situations, we’d recommend the EF 24-105mm f/4 II. Whilst this lens can be used on an EF-S mount Canon, the focal range will be longer (narrower). 40mm may seem like an unusual focal length if you’re used to shooting zooms, or at least ‘standard’ focal length primes. The sharpness produced by the Canon EF-S 10-18mm f/4.5-5.6 IS STM really is mind-blowing. As for the image stabilization, it’ll steady camera shake at up to 3 stops. I hope you enjoyed this roundup of the best lenses for Canon cameras available in 2020. EF 8-15mm f/4L Fisheye USM. If you’ve got around $2k to spend on lenses, I’d recommend this one every time. See your browser's documentation for specific instructions. Sure, Canon’s f/1.2 lenses are awesome, but their size, weight and price make them a little harder to recommend unless you’re a pro. Any ‘L’ series Canon lens is built like a tank, and this one is no different. top Canon lenses for portrait photography, Dimensions (Diameter x Length): 2.7 in. IS is also beneficial when you shoot at longer focal lengths since camera shake is more pronounced. One con to this lens – at least if you’re into astrophotography – is that there aren’t any distance indicators for focusing. If you’re a bokeh-whore but you budget can’t quite stretch to the f/1.2’s of the Canon lens lineup, the Canon EF 135mm f/2L USM is there for you! Then people realised their mistake, and with their tail between their legs, returned to the trusty older versions. Finally, for all you Canon crop sensor shooters who want to shoot wildlife, the stars, or anything else that’s far away, the Sigma 150-600mm f/5-6.3 is an extraordinary lens and amazing value for money. ","acceptedAnswer":{"@type":"Answer","text":"Our top pick for Canon's best all-around prime lens is the Canon EF 35mm f/1.4 II. The image quality is quite fantastic for a $150 lens. The above lens is the Canon EF 70-200mm f/4L IS II USM lens. The unmistakable white-barrelled L-series zoom lenses side-line sporting events around the world; super-fast f/1.2 primes line wedding photographers’ camera bags; every YouTube vlogger has a wide-angle zoom attached to the front of their DSLR… Canon lenses are literally everywhere. Or rather, the value for money. Sure, f/2.8 offers better low light performance, but the excellent Image Stabilization of the 70-200m f/4 should still get you out of trouble after dark. However, if it’s a multi-purpose wide angle EF-S zoom you want, the Tamron 10-24mm f/3.5-4.5 is a great choice and surprisingly affordable. It’s without a doubt one of the top Canon lenses for landscape photography, and any genre of the art that encourages you to fit as much as possible within the frame. It’s not 100% silent on the Canon EF 40mm f/2.8 STM, but for stills photography, it’s as quiet as it needs to be. Great value for money lens if you’re an automobile, architecture, landscape or any other genre of photographer who needs the widest of sensible wide-angles. Choose from one of the world’s most comprehensive selection of lenses to capture amazing stills and stunning video with incredible clarity and brilliant colours. This is rare for an ultra-wide angle lens, and the fact that it’s all available at a budget price is unbelievable. For APS-C (cropped) cameras, I’d recommend the lens coming up next in this list – it’s super wide and cheap too. At f/1.4, the Canon 35mm f/1.4 L is super sharp and exhibits beautiful bokeh. However, I often struggle indoors with 35mm being just that little bit too wide, including more of the surroundings than I’d like. For just under $350, you’re getting a ridiculously good portrait lens with un-rivalled sharpness. If you want to see more examples of images shot with the Canon EF 135mm f/2L USM, just filter by the lens in the drop down menu over on the right. With the primes, you’ll be struggling with f/1.2 and f/1.4 on a sunny day, but with the Canon EF 24-70mm f/2.8 L II, blown out photos is one less thing to worry about if shooting in aperture priority. f/2 at 135mm gives incredible subject separation, and as long as you have the space between you and the subject, 135mm makes for a very flattering lens for photographing people. But size, price, and versatility are where the EF-S 24mm f/2.8 STM really shines. Start Exploring! The colors are vivid, the contrast is excellent, and the bokeh nicely blurred. Mitakon Zhongyi Speedmaster 135 f/1.4 Manual Lens for Canon EF-Mount {105} with Tripod Mount . So choose from one of the Canon lenses above and make an investment into your photography. Colours and contrast are excellent as with all L series lenses, and bokeh when shot wide open makes backgrounds melt away in a creamy swirl of colours. Let’s deal with the elephant in the room first. Reproduction in whole or part without permission is prohibited. Whilst it’s nice to have virtually silent operation for stills-photography, STM is more beneficial for video recording. The beauty of f/2.8 is that you can pretty much get away with shooting it wide open all day long. View Details . I use a 35mm lens for 80% of my wedding photography work. On the downside, f/2.8 doesn’t really give you much subject separation unless you shoot it at around 70mm. On the crop sensor EF-S bodies, you can’t go wrong with the Sigma 30mm f/1.4 – it’s great value for money, and offers the same image and build quality as Canon lenses twice the price. Try comparing it to the Nikon version! Lenses really are cheaper on the Canon side of the fence, and the Canon EF 85mm f/1.8 USM performs like a lens 3x the price. While the build on EF-S 24mm f/2.8 is light and compact, it’s clear that it was built to last. (83 mm) x 4.41 in. View Details. In the list below you can find all existing autofocus RF mount lenses. It offers a hugely versatile focal range at a manageable weight, for an affordable price – especially when it is the only lens some people will ever need. To make matters worse for its competitors, Canon’s best lenses are often available for cheaper than counterparts, sometimes by as much as a few hundred dollars. In reply to jojioshima • Apr 13, ... Canon 6D Mark II Canon EOS M50 Canon EF 50mm F1.4 USM Canon EF 85mm F1.8 USM Canon EF 135mm … The Canon EF 16-35mm f/4L IS USM on the other hand is sharp enough for most situations, and the image stabilization allows it to be shot handheld as if you had an aperture of f/2.8 anyway. (39mm), Dimensions (Diameter x Length): 2.7 in. If you’re a zoom lens shooter looking for a single lens to attach to your camera for good, the Canon EF 24-105mm f/4 L IS USM is the lens for you. This is incredibly useful for landscape photographers – using the camera’s Live View to zoom to 100%, you can make micro adjustments to the focus without needing to flip switches or otherwise disturb the camera. This is a camera lens guide about the top recommended Canon lenses for all-round usage. Maybe you don’t need a lightweight lens with fast auto focus (you probably don’t need f/1.2 either, but that’s another story). If you use on-camera flash a lot, the 24-105mm zoom range actually matches the zoom range in E-TTL mode, meaning that the flash zooms to match the lens. A well crafted photographic tool that does its job flawlessly is … The first version of this hugely popular lens was good, but this second iteration is way better. The 24mm on a cropped sensor comes out to just about 38 mm equivalent on a full frame and is the perfect focal length for walking around town. Newer doesn’t necessarily mean better. This one is 100g lighter than its successor, smaller and cheaper too. pretty much any modern one) to crop into the image and still retain this impressive sharpness. Javascript is disabled in this browser. … At A Glance: Our Top 5 Picks for Best Canon Lenses. (74mm) x 2.83 in. From 24-70mm, you won’t be missing any of the action, and when you have a chance to use 70mm, you can still benefit from bokeh to make your subject stand out from the background. It’s even sharper than full frame wide angle lenses costing 10x the price! The 50mm f/1.8 works fine on an EF-S body, but remember that the focal lens becomes 80mm – a little less versatile than 50mm, but still great as a portrait lens. Don’t even worry about that. Canon EF-S 10-18mm f/4.5-5.6 IS STM | © Ian Emerson. A 50mm prime lens is perfect for virtually any photographer looking for … 22 September 2012. for APS-C DSLRs only. 50mm is a favourite focal length of everyone from portrait photographers all the way through to landscape photographers (that’s right – landscapes aren’t just about wide angle lenses – see these landscape photography tips to learn more about this). The image quality is indistinguishable and yet the Canon 35mm f/1.4 L comes in at over $400 cheaper! If you’ve ever used an IS Canon lens before, you’ll know it’s a bit of an eerie experience… What magic is this that steadies the image I see before me?! So, onto the Canon EF 85mm f/1.8 USM – what makes this little-known lens such an incredible bargain? 1.4x increase of the lens's focal length Dustproof and waterproof specifications (JIS 2 equivalent) Lens placement and coatings are optimized to minimize the ghosting I’d go as far as to say that the f/2.8 III is the best Canon wide angle lens for weddings. If you’re a pixel peeper, you’ll note that the 8 diaphragm blades produce a beautiful circular bokeh, especially at f/2. Weighing a feathery 4.4 ounces and with a total length off the camera of less than 1 inch, this 38mm equivalent lens is a … NOTE: If you are looking for an FD lens for interior architecture for use on an APS-C sized sensor - there is none. Pages in category "Canon EF lenses" The following 64 pages are in this category, out of 64 total. Experience how changing your lens can unlock a world of possibilities, and see beyond what meets the eye. Lucky enough to own the Canon EOS R? OK, with that out of the way, what makes the Canon EF 50mm f/1.8 STM worthy of a spot here? The Canon EF 24-70mm f/2.8 L II is also commonly used on the dance-floor at wedding receptions. It’s only wedding photographers or those who shoot professionally in very dark locations who really have any need for wider apertures than this. There’s no cheaper way to get a nicely blurred background with sharp foreground than the dinky little Canon 50mm f/1.8 lens. Canon EF 50mm f/1.8 STM | © Mark Velasquez. The IS allows for an extra 4 stops, meaning the Canon EF-S 10-18mm f/4.5-5.6 IS STM can be shot handheld even at 1/4 or 1/2 a second. Ultra-Wide Zoom. It’s razor-sharp in fact throughout the entire image at every setting. The 24-70mm f/2.8 is the quintessential all-purpose lens for professionals and enthusiasts who want premium image quality and versatility. It’s also very refreshing to be able to shoot at this focal range with such a (relatively speaking) lightweight lens. If you’ve never shot at 16mm, prepare to be blown away – it really is an eye-opener… and the Canon 16-35mm f/4 is a great value for money way to experience it. However, for the rest of us (i.e. Since this lens is incredibly sharp, you can use a relatively high mega-pixel Canon dSLR (i.e. Landscape photographers who are used to big and bulky lenses will rejoice in having this lens permanently attached to their cameras. APS-C cameras have a smaller sensor, and the ES-F lenses are designed to only fit that sensor size. The size of the aperture isn’t just about low light though, of course – larger apertures can also produce more exaggerated bokeh. It’d be easy for me to just recommend all the most expensive lenses in each category since in some regards they can be considered the ‘best’. 24-105mm is another focal range that Nikon doesn’t offer. On a cropped sensor Canon (EF-S), 50mm translates to around 80mm, meaning the Canon EF 50mm f/1.8 STM becomes one of the top Canon lenses for portrait photography, at least at this price point. The maximum f/2.8 aperture also produces great bokeh, on the cheap! Compare this to the f/1.4, and to a greater extent the f/1.2 lenses and you’ll see a huge difference in AF capabilities. Sure, the f/1.2 can reduce any background to cream, but when shot at f/1.8, only a pixel peeper could tell the difference. If you’re a Canon full frame dSLR camera owner who wants one prime lens to be used during the day, during the night, for wide shots and for portraits, there simply isn’t anything better. Leave a comment below if you use any of the lenses I mentioned, or if you think I missed any other good ones. Canon EF 85mm f/1.8 USM | © Diane Villadsen. 12.8-24mm. This page requires Javascript. It’s Canon marketing speak for ‘relatively silent lens’ :p. As for image quality, the Canon EF 24-105mm f/4 L IS USM has great optical performance throughout its focal range. ), is the fact that it exhibits very little distortion – way less than the Nikon 35mm equivalent. (75 mm) x 2.83 in. At less than an inch tall, the Canon EF 40mm f/2.8 STM looks like an over-weight lens cap. Coupled with the close focusing distance of only 0.72 ft (22 cm), you can crop into an image shot with the Canon EF-S 10-18mm f/4.5-5.6 IS STM and still achieve razor sharp close-ups. If you can stand back far enough to fit your subject in the frame, 80mm can be equally used for any genre of photography of course. STM is Canon’s near-silent motor mechanism. What’s most impressive about the Canon 35mm f/1.4 L for a Nikon shooter like me (aside from its price! Image stabilization: No What we like: Superb image quality and versatility. It is extraordinarily sharp and contrasty, even at f/1.4. Canon 24-70mm f/2.8 L II | © Gillespie Photography. $1,200 doesn’t sound very bargain to you?! The bokeh when the Canon EF 85mm f/1.8 USM is shot at f/1.8 is gorgeous. Zeiss 50mm T2.1 Compact Prime CP.2 Planar T* Manual Focus Manual Aperture Lens In Feet For Canon EF … There’s an f/4 version too, but the Canon EF 24-70mm f/2.8 L II is much better. Let’s get one thing straight from the outset. If you haven’t got the time to wait for the lens to do its thing, the Canon EF 85mm f/1.8 USM wins every time. In size, price, and value, this pancake lens really takes the cake! This is a gem of a lens and makes me envious that there’s no Nikon equivalent. To bring small things into full-sized view, select from one of the lenses in this category. every Canon DSLR and every Canon autofocus 35mm camera made since 1987. Where it does slip up a little is in the distortion stakes. If you shoot models in a studio all day long, then fair enough. That’s why I wouldn’t call a 24-70mm one of the top lenses for portraits – moreover, it’s a hugely versatile story-telling lens. On a cropped sensor Canon dSLR, 85mm translates to around 136mm – no longer a versatile focal length perhaps, but still excellent for portraits. Attaching it to the front of your Canon dSLR will bring a smile to your face – at only 0.29 lbs. There are 4 different versions of the 16-35mm zoom in the Canon lens line up. 24-70 is a great focal range, and even at 38-115mm on a cropped sensor camera, it’s a very useful lens that can remain on your camera all day long. The bokeh from the Canon EF 50mm f/1.8 STM when compared to the f/1.2 version is admittedly less creamy (when both are shot at f/1.8), but it’s doubtful that anyone will notice. It truly is remarkable that a lens that’s over 19 years old can out-perform much more recent ones. "}},{"@type":"Question","name":"What is the best all-around Canon lens? 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